These ensembles were all recorded individually in a large film scoring studio. That you can invoke in real-time? There's typically a ratio of how good it sounds to how easy it is to use that determines my rating. This saves you time and allows you to experiment with more confidence knowing that you can apply lots of sweeping changes to patches with ease. If you mainly work with a handful of libraries, locating your favorite instruments and loading them this way is an easy and enjoyable task. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that. Create inversions of your chords on-the-fly? Well, suppose your first violins are divided into two groups, each group playing a different note.
Allowing you to quickly find what you need, when you need it. A drastically reduced footprint of only about 16. ? Non Vibrato to Vibrato patches? This also goes for those with large collections of hundred of libraries. We find this method works best at both ends of the spectrum. Early versions could be a pain to work with, especially on Mac systems. This allow for dissonant string effects on every patch.
The Diamond version comes with additional microphone positions. Another little gem is the Ostinatum tool, essentially a mini step sequencer that allows you to trigger complex patterns by simply playing a note or a chord. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that. This makes it very easy to mix with other libraries. Up to 13 part voice tracking! The legato patches are incredibly playable, velocity sensitivity switches playing styles between portamento, glissando and legato. A new approach to quantizing where only notes outside of the user defined note value are quantized. Is it worth the price to pay the 600 eur 643 dollars to upgrade my komplete 10 to komplete 11 ultimate? These are ensemble strings so less flexible.
I haven't always given much thought to how I would divide a chord in a section, and now it's something I ponder way too much. I feel the built-in database system is jumbly. Other innovations include the Runs Builder and Playable Glissandi. Several crossfading techniques dynamic layers, legatos fade scripts, vibrato fading or playing more than one voice leads to a bigger and pad-like undefined string sound. Create your own set of Key Switchable? My fear was allayed when I noticed that it was the same series of controllers being used for the different articulations. Very little mixing is required. This is useful if you like your dynamics but you just want to lower them by a certain percentage.
With a key switch dictating the key of your piece you can perform diatonic trills whereby, when you play a new trill note, the transition to that trill note can be either a legato, portamento or glissando transition. I also used it to write soaring romantic cues with tremendous results. This is both a big time saver and can be inspiring. Of course one can 100% quantize the notes. This allows the user to retain the human feel. New Pedal behavior modes have been added.
We include the 24 bit files since it will be about 30% less taxing on your hard drive than a 24-bit wave file. And we did a lot of testing. How many times do people abandon good ideas simply because they are too time consuming to execute?! This is both a big time saver and can be inspiring. Is a term often used in film-scoring to describe string sounds that have randomness and dissonance that can heighten the tension and drama in a scene. In fact I often start with them and then mix in other mics to taste. Some libraries are great for those Zimmer-esque epic tracks and others are better suited for more traditional orchestral pieces. East West Hollywood Strings are a little less lush than 8dio's, but very solid and flexible.
Fortunately, a fair amount of information is visible from each instrument's window and is specific to that particular articulation. Triggers alternate samples to avoid sample repetition. Of course if that all seems far to complicated all of the patches can be loaded separately. Once you've selected the names, the information is automatically passed on to all the other control pages. With the sustain pedal you can add a soft decay to end a phrase.
So many great film scores get their eeriness from strings playing harmonics, but most libraries overlook harmonics, or include a throwaway patch or two. Meanwhile we took the utmost care to ensure that the instruments can be panned anywhere with virtually no phasing problems should you need to do that. These patches look similar to the other Real Legato patches as seen above. These ensembles were all recorded individually in a large film scoring studio. All those clicks add up. Used by many world renowned composers to record Hollywood soundtracks, the natural ambience it lends to the orchestra is both warm and detailed at the same time. A new approach to quantizing where only notes outside of the user defined note value are quantized.